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| Downtown Port Moresby can basically be divided into three sections: The National Parliament Building, museums and other government functions are concentrated in Waigani; Boroko is home to many restaurants, shopping centers, banks and more; Town is symbolized by the cape thrusting into the Coral Sea. Although a few relatively aged structures still remain in the central area, the majority consist of modern office buildings, lending a distinctive ambience compared to other cities in Papua New Guinea. |
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| Opened in 1984 in the presence of Prince Charles of England, the National Parliament Building exemplifies the striking harmony of modern architecture and traditional design of the “Abode of the Spirits”. Reflecting the multiethnic and multilingual backgrounds of Papua New Guinea, the building's interior is equipped with special booths for simultaneous interpreting of parliamentary proceedings into English, Tok Pisin and Hiri Motu. When parliament is not in session, the portraits of previous prime ministers and parliamentary chairpersons, gifts presented by the head of various nations, conference halls and more are available for public viewing. |
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| TEL |
(675) 327-7377 |
| Hours |
9 AM - 12 PM & 1 PM - 3 PM.
Mon. - Fri. |
| Address |
Waigani District |
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| Adjacent to the National Parliament Building, this museum features the country's traditional handcrafts, historical documents and descriptions of animal and plant life unique to Papua New Guinea and more. Admission is free but donations are accepted. |
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| TEL |
(675) 325-2458 |
| Hours |
8:30 AM - 3:30 PM. Mon. - Fri. |
| Address |
Waigani District |
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| Established in 1965. This university is one of Papua New Guinea's highest institutions of learning, features a modern campus with lush greenery and is lined with dormitories for students from outlying provinces. |
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| Located on the eastern foot of Paga Hill, this cathedral was originally built in 1922 and redesigned to its current structure in 1969. The front of the cathedral, a landmark of the Town District, adopts the distinctive style of the "Abode of the Spirits" from the Sepik region and thereby blending Christianity with indigenous religions. |
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